Not Like the Movies Read online

  PRAISE FOR

  WAITING FOR TOM HANKS

  “A love letter to rom-coms in the form of a sweet love story.”

  —NPR

  “Kerry Winfrey offers readers a fizzy rom-com with all the humor, heart, and the undercurrent of melancholy of the Nora Ephron rom-coms she pays tribute to within its pages.”

  —Entertainment Weekly

  “Kerry Winfrey’s feel-good romance is an ideal ode to the genre.”

  —Oprah.com

  “An endearing, klutzy heroine elevates this utterly charming romance [and] the plot’s many moving pieces add complexity. Chloe, lovable Uncle Don, and the local coffee shop’s colorful characters provide humor and heart in just the right places.”

  —Publishers Weekly (starred review)

  “What a total delight it was to read this book! A compelling, heartwarming, hilarious rom-com. I couldn’t stop turning the pages!”

  —New York Times bestselling author Lori Foster

  “Winfrey’s sweet, hilarious novel is full of klutzy and charming characters, heartwarming moments, and laugh-out-loud one-liners. This quick read is sure to delight readers looking for an escape of everyday life, especially fans of Mary Ann Marlow and Helena Hunting.”

  —Booklist

  “This sweet story is a warm, favorite-sweater-wearing hug for anyone who believes that true love doesn’t only happen in the movies.”

  —kc dyer, author of Finding Fraser

  “The perfect blend of humor and romance. . . . Waiting for Tom Hanks is a romantic comedy full of heart, humor, and a delicious dose of reality.”

  —Wandereader

  “Just try to resist falling in love with this guy, who turns out to be fully Hanks-ian. The deluge of rom-com trivia on Annie’s path to happiness will send you on a Netflix spree, and there’s a great indie music playlist and jokes for D&D enthusiasts sprinkled along the way as well.”

  —Kirkus Reviews

  “If you’re on the hunt for the perfect, feel-good summer read, you can call off the search party—Waiting for Tom Hanks is all that and more.”

  —BookBub

  “If you love everything about Tom Hanks, you gotta get Waiting for Tom Hanks.”

  —Frolic

  JOVE TITLES BY KERRY WINFREY

  WAITING FOR TOM HANKS

  NOT LIKE THE MOVIES

  A JOVE BOOK

  Published by Berkley

  An imprint of Penguin Random House LLC

  penguinrandomhouse.com

  Copyright © 2020 by Kerry Winfrey

  Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

  A JOVE BOOK, BERKLEY, and the BERKLEY & B colophon are registered trademarks of Penguin Random House LLC.

  Library of Congress Cataloging-in-Publication Data

  Names: Winfrey, Kerry, author.

  Title: Not like the movies / Kerry Winfrey.

  Description: First edition. | New York: Jove, 2020.

  Identifiers: LCCN 2020004900 (print) | LCCN 2020004901 (ebook) |

  ISBN 9781984804044 (trade paperback) | ISBN 9781984804051 (ebook)

  Subjects: GSAFD: Love stories.

  Classification: LCC PS3623.I6444 N68 2020 (print) |

  LCC PS3623.I6444 (ebook) | DDC 813/.6—dc23

  LC record available at https://lccn.loc.gov/2020004900

  LC ebook record available at https://lccn.loc.gov/2020004901

  First Edition: July 2020

  Cover art and design by Farjana Yasmin

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  pid_prh_5.5.0_c0_r0

  CONTENTS

  Cover

  Praise for Kerry Winfrey

  Jove Titles by Kerry Winfrey

  Title Page

  Copyright

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Epilogue

  Acknowledgments

  About the Author

  For Hollis. You’re so much better than the movies.

  Chapter One

  I can tell what’s going on by the way the customer looks at me. The concentrated stare as I pour her coffee, the anticipatory smile as I put the lid on. This isn’t someone who’s only here for the caffeine hit. No, this is something different.

  “Have a great—” I start as I hand her the drink, but she cuts me off.

  “It’s you, right?” she asks, breathless, eyes wide. “From the movie?”

  I’m always friendly—some might say too friendly—to our customers here at Nick’s coffee shop. It’s kind of my thing. I don’t even mind gruff patrons or rude comments; not because I’m a doormat, but because I’m genuinely not bothered by them. People have hard days, and while they definitely shouldn’t take them out on their baristas, I know it’s not about me.

  But this . . . this is different. This couldn’t be more about me.

  “Um, yeah,” I say, trying to keep my voice down. “It’s me.”

  “There’s an article about you on People.com,” she says, the excitement palpable in her rushed words. “With . . . pictures.”

  I see her eyes dart toward my boss, Nick, who’s tending to the espresso machine behind me. I wince before I can stop myself.

  “Oh, is there?” I say, and before she can complete her nod, I smile brightly and say, “You know, I would love to chat more, but this is our afternoon rush and, whew, we’re swamped!”

  She smiles and walks away, so starstruck she doesn’t notice that there’s no one else in line. I let out a long sigh, then pull up People.com on my phone.

  There it is. “The Real-Life Love Story Behind the New Film, Coffee Girl!”

  There’s a picture of me, one that I don’t remember taking and certainly didn’t give to People magazine, and there are a couple of pictures of Nick and me here, at work, behind the counter. The saving grace is that I was wearing an especially cute cardigan that day, one with little embroidered flowers and bees, so at least I look good, but that doesn’t take away the strangeness inhe rent in seeing a picture of yourself that you didn’t even know someone took.

  But why am I, Chloe Sanderson, resident of Columbus, Ohio, and no one all that special, gracing the pages of People.com?

  Because my best friend wrote a movie about me.

  Okay, so Annie maintains that the movie isn’t about me so much as inspired by me, and she’s right. But anyone who knows me and sees the trailer can see the similarities. The movie’s lead character, Zoe (come on, Annie), has a stubbornly, almost annoyingly positive attitude, even in the face of rude customers or family tragedy. She works in a coffee shop. She takes care of her sick father, although Zoe’s father has cancer, while mine has Alzheimer’s.

  But there are a few key differences between Zoe and Chloe. Zoe is at least four inches shorter than me, with hair that has clearly been professionally styled. She has a team of stylists picking out her artfully vintage clothing, whereas I stick to the Anthropologie sale rack, where all the truly bonkers stuff lives. Oh, and Zoe makes out, and falls in love, with her boss, Rick.

  The names, Annie. You couldn’t have changed those names?

  “Put your phone away. You’re working.”

  Nick is so close I can feel his breath on my face. He smells, as usual, like coffee and this aftershave I’ve never smelled anywhere else, something that feels old-fashioned (like a grandpa) but kinda hot (not like a grandpa).

  I jump, startled by his proximity, and shove my phone in my apron pocket. Nick and I do not talk about the movie; it’s like the elephant in the room, if that elephant were making out with one of its elephant coworkers.

  There are a few people clustered around tables, but still no one in line. “Ah, yes, things are bustling,” I say, gesturing at the nonexistent line. “I wouldn’t want to ignore anyone.”

  “It’s the principle of the thing,” he says, staring at me for what seems like a beat too long. Or maybe it isn’t.

  The thing is, this ridiculous movie my best friend wrote (wow, that sentence will never stop sounding weird) has really screwed up a lot of things for me. Things I never thought about before, like whether Nick is sexy or whether his smile means something or what his perpetual five o’clock shadow would feel like on my cheek . . . all of a sudden those thoughts are in my head, and I don’t like it. I’m just trying to work over here, you know? This is my job, and I need this to make money for the business classes I’m moving through at a glacial pace.

  A new song starts playing: “Steal Away” by Robbie Dupree.

  “Chloe,” Nick says, his voice a low growl.

  I straighten an already straight stack of cups to avoid looking at him. Why is he so close to me? Why does his voice naturally sound like that? My mind jumps automatically to the listicle I read on Buzzfeed yesterday: “Ten Reasons Why Rick from Coffee Girl is #relationshipgoals.” Since the movie’s not out yet, it’s based entirely on the trailer, which I’ve watched approximately 9,756 times (give or take a few), mostly late at night when I’m trying to sleep and I feel like punishing myself. Reason #6: His voice sounds like he wants to argue with you and rip your clothes off. Maybe at the same time.

  The stack of cups goes crashing to the ground.

  Nick and I bend down at the same time to pick up the cups, our faces way, way too close to each other. He seems unaffected by my presence; maybe he hasn’t been reading the same Buzzfeed lists.

  “Didn’t I explicitly ban your yacht rock playlist?” he asks. “Didn’t I tell you that if you played Robbie Dupree in this shop one more time, I wouldn’t be responsible for what I’d do?”

  I stand up, and so does he. “I don’t remember any of those conversations. I only remember the vague sense of dread that overcomes me as I’m forced to reckon with my own mortality every time you play the depressing music you like.”

  I smile at him, back in my element: making fun of him for his god-awful taste.

  Nick sighs, then gives me another one of those looks. It’s kind of a smile but kind of a frown at the same time, which is a face he’s really good at. I widen my eyes back at him.

  This is the fun part, the part I love about work. I like arguing with Nick because it’s not serious (I mean, I seriously do hate the music he listens to, but I don’t actually care that much), but we both treat it like it’s life and death. I don’t even know if I’d like yacht rock half as much if I didn’t have to defend it to him every day.

  To Annie, a born-and-bred rom-comaholic, our playful banter means we’re destined to be together. Because that’s what happens in rom-coms, right? Two people who can’t stand each other are actually hiding deep wells of passion, and eventually all those pent-up feelings will explode in one of those make-out scenes where shelves get knocked over and limbs are flying and people are panting.

  But listen, I get angry with Siri when she willfully misunderstands me, and that doesn’t mean I should marry my phone. Sometimes people just argue and don’t want to make out with each other, because life isn’t a rom-com (unless you’re Annie and you’re marrying a literal movie star).

  Nick shakes his head and points toward the back of the store. “I’ll be in my office. Think you can handle it up here?”

  I gesture once more toward the mostly empty shop. Business isn’t due to pick up for another hour. “Somehow, I’ll manage.”

  I lean over the counter and pull my phone out again, but between you and me . . . yes, I do look up to watch Nick walk to his office. It’s like that old saying, “I hate to see you go, but I love to watch you leave,” except that it’s, like, “I hate the depressing AF music you play, but I love to watch you leave because *fire emoji*.”

  Although it pains me to admit it, Nick Velez is objectively good-looking. He’s tall and thin, with light brown skin, dark hair that’s not too long or too short, and the aforementioned persistent scruff on his face. I don’t think I’ve ever seen Nick clean-shaven, and I regularly see him at 5 A.M. That’s just how his face looks, apparently.

  But, unlike my romance-obsessed BFF, I am not someone who gets carried away by fantasies of love. Sure, Nick is hot, and okay, maybe I’ve had a couple of daydreams where he pins me against the brick wall of the coffee shop and rubs my face raw with his stubble, but there are lots of hot people in the world who aren’t my boss. And since I kind of need this job, and I really need to keep my personal life as drama-free as possible, I think I’ll stick to dating people who aren’t intertwined in any other area of my life. Because taking care of my dad is messy enough, and I don’t really need anyone else’s feelings to worry about.

  If only I could stop being so damn awkward around him.

  My phone buzzes. It’s Tracey Liu, the receptionist at my dad’s care facility.

  “Do you think you could check in for a minute when you get a chance? Your dad’s having an episode.”

  Chapter Two

  I find Nick in his office and tell him I’m going. Another reason why Nick is a great boss, despite his abysmal taste in music: he’s always okay with me leaving, on no notice, to take care of my dad.

  “Let me know how it goes, okay?” he says, concern in his deep brown eyes as he places a hand on my arm. I jerk my arm back so fast that I bump into the shelf behind me and knock an entire box of pencils onto the floor.

  “Um, I . . .” I stammer, trying my best to get my bearings. I was fine until Nick touched me, that jerk. Reason #8: Have you even seen the way he grabs Zoe before he kisses her in the rain?

  “I’ll get them—you just get out of here,” he says, and I exit his office with a wave.

  I don’t drive to work since Nick’s is just a couple of blocks from my place, so I briskly walk down the brick sidewalks of German Village. This is why I usually wear flats or brightly colored sneakers—brick sidewalks are death traps if you’re wearing heels. The early spring air is just slightly chilly, but the sun is hidden behind the perpetually cloudy Ohio skies, making it fee l colder than it is. I wrap my mustard yellow pea coat more tightly around myself as I walk past the beautiful homes and businesses.

  A short drive later, I buzz the door at Dad’s facility and wait to be let in. The potential bad mood is coming over me, so I take a deep breath. Inhale positivity. Exhale stress. I smile along with my exhale, willing myself to be Good Mood Chloe for my dad, regardless of what greets me on the other side of the door.

  Because no matter what I find—no matter what condition my dad is in—this is my responsibility. It’s not my twin brother Milo’s, because he lives in Brooklyn in an apartment I’ve never visited, on account of I can’t fathom leaving my dad that long. And it sure as hell isn’t my mom’s, considering that she bounced right out of our lives when she left us for some dude she met on the Internet when Milo and I were ten.

  It was the week before the fourth-grade Christmas pageant, aka the biggest event on my calendar at the time. Milo wasn’t involved, because even back then he was too cool for earnest performances, but I was an angel narrator who delivered a lengthy speech about the importance of the baby Jesus’s birth. (In retrospect, a public elementary school probably shouldn’t have put on such an explicitly religious production, but what can I say? It was the ’90s in Ohio, and anything went.) Mom was a fantastic seamstress who made most of her own clothing, and she promised to make me a costume that would leave all those donkeys and wise men in the dust, meaning that everyone in the audience would be unable to focus on anything but me, instead of the birth of our Lord and savior. Mom might not have said it that way, but that’s the way I interpreted it.

  But then she left with some dude named Phil, and I wasn’t about to bother Dad or Milo by telling them I needed a costume. Dad was shell-shocked, staring at the TV for hours, and Milo was alternating between preteen anger and sobs. The worst part was that online dating as we know it didn’t even exist back then, which meant that her leaving us for a guy she met online was Super Bizarre and basically a schoolwide scandal. Everyone, even my teachers, looked at me with pity.